Flashback: of objects of love and objects of study. Film studies in Britain: cinephilia, screen theory and cultural studies
The name for a pleasure that has no substitute: Vincente Minnelli
All the lonely places: the heroes of Nicholas Ray
Sam Fuller's productive pathologies: the hero as (his own best) enemy
Cinephilia: or the uses of disenchantment
Genius of the system. The persistence of Hollywood, Part I: the continuity principle
Why Hollywood?
Narrative cinema and audience aesthetics: the mise-en-scène of the spectator
Film as system: or how to step through an open door
Gangsters and grapefruits: the public enemy
Studio and genre: auteurs maudits, mavericks and eminent Europeans.
Transatlantic triangulations: William Dieterle and the Warner Bros biopics
Welles and virtuosity: Citizen Kane as character-mask
The dandy in Hitchcock
Too big and too close: Alfred Hitchcock and Fritz Lang
Robert Altman's Nashville: putting on the show
Stanley Kubrick's prototypes: the author as world-maker
Genie out of the bottle: the return of the system as auteur?
The pathos of failure: notes on the unmotivated hero
Auteur cinema and the new economy Hollywood
The love that never dies: Francis Ford Coppola and Bram Stoker's Dracula
The blockbuster as time machine
Auteurism today: signature products, concept-authors and access for all: Avatar
The persistence of Hollywood. Digital Hollywood: between truth, belief and trust
The persistence of Hollywood, Part II: reflexivity, feedback and self-regulation.
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The persistence of Hollywood by Thomas Elsaesser. ISBN 9780415968140. Published by Routledge in 2012. Publication and catalogue information, links to buy online and reader comments.
