Introduction : ambi-diegetic music in motion pictures
The role of ambi-diegetic film music in the product design of Hollywood movies : macromarketing in La-La-land
Introduction to part II
Ambi-diegetic film music as a product-design and -placement strategy : the Crosby duets in High society (1956)
The cinemusical role of "My funny Valentine" in The fabulous Baker Boys (1989) and The talented Mr. Ripley (1999)
Introduction to part III
Pete Kelly's blues (1955)
The Cotton Club (1984)
Kansas City (1996)
Introduction to part IV
Young man with a horn (1950)
Paris blues (1961)
Mo' better blues (1990)
Introduction to part V
Commerce and New York, New York (1977) : he's delightful, he's delicious, he's De Niro
Art and Heart beat (1980) : stars fell on Algolagnia
Brando loyalty and The score (2001) : how do you keep the music paying?
Introduction to part VI
His eye is on the sparrow : small-but-significant cinemusical moments in jazz film scores by Miles Davis and John Lewis
Small-but-significant implications of the man who isn't there in Sweet smell of success (1957)
Introduction to part VII
Cinemusical moments in tragedepictions and comedepictions of jazz heroes
When bad things happen to great musicians : the troubled role of ambi-diegetic jazz in three tragedepictions of artistic genius on the silver screen
A cinemusicaliterary analysis of the American dream as represented by biographical jazz comedepictions in the golden age of Hollywood biopics : Blow, Horatio, blow; O, Jakie, O; Go, Tommy, go; No, Artie, no.
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Music, movies, meanings, and markets : cinemajazzamatazz by Morris B. Holbrook. ISBN 9780415893138. Published by Routledge in 2011. Publication and catalogue information, links to buy online and reader comments.
