Screening the Holocaust in the Soviet Union: Jews without the Holocaust and the Holocaust without the Jews
Soviet antifascist films of the 1930s: The earliest images of Nazi anti-semitism and concentration camps on world screens
The first phantom: I will live! (1942)
How a Soviet novel turned into Jewish film: The first depiction of the Holocaust on Soviet screens, The unvanquished (1945)
The Holocaust on the thawing screen: From The fate of a man (1959) to Ordinary fascism (1965)
The Holocaust at the Lithuanian Film Studio: Gott mit uns (1961)
The Holocaust without the Jews: Steps in the night (1962) and other films
Kalik versus Goskino: Goodbye, boys! (1964/66)
Stalemate (1965) between the filmmaker and the censors
Kalik's last phantom: King Matt and the old doctor
The film that cost a career: Eastern corridor (1966)
Muslims instead of Musslmans: Sons of the fatherland (1968)
Commissar (1967/1988): The end of the thaw
An alternative track: Jewish soldiers fighting on Soviet screens
The last phantom
the first film: Our father (1966/1990)
Perestroika and beyond: Old wine in new bottles?
Conclusions.
OBNB doesn't sell books, but you may be able to find a copy at one of these websites:
The phantom Holocaust : Soviet cinema and Jewish catastrophe by Olga Gershenson. ISBN 9780813561806. Published by Rutgers University Press in 2013. Publication and catalogue information, links to buy online and reader comments.
