Includes filmography.
Hitchcock and authorship. Thomas M. Leitch: Hitchcock the author
Walter Raubicheck and Walter Srebnick: Wrong men on the run: The 39 steps as Hitchcock's espionage paradigm
Patrick Faubert: the role and presence of authorship in Suspicion
Hitchcock adapting. Ken Mogg: Melancholy elephants: Hitchcock and ingenious adaptation
Matthew Paul Carlson: Conrad's The secret agent, Hitchcock's Sabotage, and the inspiration of "public uneasiness"
Leslie H. Abramson: Stranger(s) than fiction: adaptation, modernity, and the menace of fan culture in Hitchcock's Strangers on a train
Heath A. Diehl: Reading Hitchcock/reading queer: adaptation, narrativity, and a queer mode of address in Rope, Strangers on a train, and Psycho
Nicholas Andrew Miller: "Dear Miss Lonelyhearts": voyeurism and the spectacle of human suffering in Rear window
John Bruns: "The proper geography": Hitchcock's adaptation of Daphne du Maurier's "The birds"
Tony Williams: From Kaleidoscope to Frenzy: Hitchcock's second British homecoming
Hitching a ride: the collaborations. Donna Kornhaber: Hitchcock's diegetic imagination, Thornton Wilder, Shadow of a doubt and Hitchcock's mise-en-scène
Maria A. Judnick: "The name of Hitchcock! the fame of Steinbeck! The legacy of Lifeboat
Christina Lane and Jo Botting: "What did Alma think?" continuity, writing, editing, and adaptation
Adapting Hitchcock. Russell J. A. Kilbourn: The second look, the second death: W. G. Sebald's orphic adaptation of Hitchcock's Vertigo
Dennis R. Perry and Carl H. Sederholm: Dark adaptations: Robert Bloch and Hitchcock on the small screen
Mark Osteen: Extraordinary renditions: Delillo's Point omega and Hitchcock's Psycho
David Seed: The culture of spectacle in American psycho.
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Hitchcock and adaptation : on the page and screen. ISBN 9781442230873. Published by Rowman & Littlefield in 2014. Publication and catalogue information, links to buy online and reader comments.
