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Polish cinema in a transnational context
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Polish cinema in a transnational context

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Descriptive Notes

Partially based on a conference, Polish Cinema in an International Context, held in December 2009 at Cornerhouse, Manchester.

Contents

Introduction: Polish cinema beyond Polish borders / Ewa Mazierska and Michael Goddard
The international reception of Polish films. West of the East: Polish and Eastern European film in the United Kingdom / Peter Hames
The shifting British reception of Wajda's work from Man of marble to Katyn / Darragh O'Donoghue
Affluent viewers as global provincials: the American reception of Polish cinema / Helena Goscilo
Polish films at the Venice and Cannes Film Festivals: the 1940s, 1950s, and 1960s / Dorota Ostrowska
How Polish is Polish? Silver City and the national identity of documentary film / Charlotte Govaert
Polish international coproductions and presence in foreign films. Postcolonial heterotopias: a paracinematic reading of Marek Piestrak's Estonian coproductions / Eva Naripea
Poland-Russia: coproductions, collaborations, exchanges / Izabela Kalinowska
Train to Hollywood: Polish actresses in foreign films / Ewa Mazierska
Polish performance in French space: Jerzy Radziwiowicz as a transnational actor / Alison Smith
Polish actor-directors playing Russians: Skolimowski and Stuhr / Lars Kristensen
"Emigre" and subversive Polish directors. An island near the left bank: Walerian Borowczyk as a French left bank filmmaker / Jonathan Owen
Beyond Polish moral realism: the subversive cinema of Andrzej Zulawski / Michael Goddard
Polanski and Skolimowski in swinging London / Robert Murphy
The elusive trap of freedom: Krzysztof Zanussi's international coproductions / Kamila Kuc
Agnieszka Holland's transnational nomadism / Elzbieta Ostrowska.

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Polish cinema in a transnational context. ISBN 9781580464680. Published by University of Rochester Press in 2014. Publication and catalogue information, links to buy online and reader comments.

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