Malte Hagener: Introduction
Formations of knowledge. Tobias Nagl: Policing race: postcolonial critique, censorship and regulatory responses to the cinema in Weimar film culture
Erica Carter: The visible woman in and against Bøla Baløzs
Tom Gunning: Encounters in darkened rooms: alternative programming of the Dutch Filmliga, 1927-1931
Natalya Ryabchikova: When was Soviet cinema born? the institututionalization of Soviet film studies and the problems of periodization
Networks of exchange. Ian Christie: Eastern avatars: Russian influence on European avant-gardes
Greg Decuir, Jr.: Early Yugoslav cinø-amateurism: cinøphilia and the institutionalization of film culture in the Kingdom of Yugoslavia during the interwar period
Masha Salazkina: Soviet-Italian cinematic exchanges: transnational film education in the 1930s
Yvonne Zimmermann: The avant-garde, education and marketing: the making of non-theatrical film culture in interwar Switzerland
Emergence of institutions. Lars Gustaf Andersson: Interwar film culture in Sweden: avant-garde transactions in the emergent welfare state
Francesco Pitassio, Simone Venturini: Building the institution: Luigi Chiarini and Italian film culture in the 1930s
Duncan Petrie: A new art for a new society? the emergence and development of film schools in Europe
Malte Hagener: Institutions of film culture: festivals and archives as network nodes
Rolf Aurich: the German Reichsfilmarchiv in an international context.
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The emergence of film culture : knowledge production, institution building and the fate of the Avant-Garde in Europe, 1919-1945. ISBN 9781782384236. Published by Berghahn in 2014. Publication and catalogue information, links to buy online and reader comments.
