Machine generated contents note:
1.Introduction: Transitions and cultural formations; Kate Macdonald, Ghent University, and Christoph Singer2.What people really read in 1922: If Winter Comes, the bestseller in the annus mirabilis of modernism; Kirsten MacLeod3.Public gains and literary goods: a coeval tale of Conrad, Kipling and Francis Marion Crawford; Simon Frost4.'To-day has never been 'highbrow'': middlebrow, modernism, and the many faces of To-day; Louise Kane5.Domesticating modern art: Charles Marriott (1869-1957) and the art of middlebrow criticism; Rebecca Sitch6.'Sentiment wasn't dead': anti-modernism in John Galsworthy's The White Monkey; Alison Hurlburt7.HG Wells'The Sea Lady and the siren call of the middlebrow; Emma Miller8.Scottish modernism, Kailyard, and the woman at home; Samantha Walton9.'The most thrilling and fascinating book of the century': marketing Gustave Flaubert in late nineteenth-century Britain; Juliette Atkinson10.Cross-channel mediations: Henry-D. Davray and British popular fiction in the Mercure de France; Birgit Van Puymbroeck11.Middlebrow criticism across national borders: Arnold Bennett and Herman Robbers on literary taste in Britain and the Netherlands; Koen Rymenants12.Who framed Edgar Wallace? British popular fiction and middlebrow criticism in the Netherlands'; Mathijs Sanders and Alex RuttenBibliographyIndex.
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Transitions in middlebrow writing, 1880-1930. ISBN 9781137486769. Published by Palgrave Macmillan in 2015. Publication and catalogue information, links to buy online and reader comments.
