Introduction / Aisling Kenny and Susan Wollenberg
Part I. $t Contexts for women's Lieder, I
Blurring the gendered dichotomies: issues of gender and creativity for the female Lied composer / Aisling Kenny
Absence and dialogue: Pauline von Decker in a performing and cultural context / Briony Cox-Williams
In pursuit of a single flame: Fanny Hensel's 'musical salon' / Lorraine Byrne Bodley
Part II. Individual composers and their Lieder. I: Early nineteenth century
'Der Jèungling und das Mèadchen': Fanny Hensel, Felix Mendelssohn and the Zwèolf Lieder, op. 9 / Angela Mace Christian
Functions of piano introductions in the Lieder of Josephine Lang / Harald Krebs
Clara Schumann's 'Liebst du um Schèonheit' and the integrity of a composer's vision / Susan Wollenberg
Part III. Individual composers and their Lieder. II. Later nineteenth century
Pauline Viardot-Garcia's 'Ne poj, krasavica, pri mne' and the genre of Russian romance / Kadja Grèonke
(Re)claiming space for Ingeborg von Bronsart's Wildenbruch Lieder, op. 16 / Melinda Boyd
Cyclic organization, narrative and self-construction in Ethel Smyth's Lieder und Balladen, op. 3 and Lieder, op. 4 / Cornelia Bartsch
Contrasting concepts of love in two songs by Alma Schindler(-Mahler) and Gustav Mahler / Kadja Grèonke
Part IV. Contexts for women's Lieder, II
'Und das hat mit ihrem Singen, Die Lore-Ley gethan': subjectivity and objectification in two Heine settings / Caitlin Miller
Echoes of the Lied: women's vocal repertoire in nineteenth-century Ireland / Ita Beausang
Women composers of Lieder: selected sources / Tammy Hensrud, Aisling Kenny and Susan Wollenberg.
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Women and the nineteenth-century Lied. ISBN 9781472430250. Published by Ashgate in 2015. Publication and catalogue information, links to buy online and reader comments.
