Introduction / John Richardson and Claudia Gorbman
Theoretical pressure points. Lawrence Kramer: Classical music for the posthuman condition
Michel Chion: The audio-logo-visual and the sound of languages in recent film
Nicholas Cook: Beyond music: mashup, multimedia mentality, and intellectual property
Anahid Kassabian: The end of diegesis as we know it?
Steven Connor: Sounding out film narrative, genre, meaning: changing times, changing practices. Robynn J. Stilwell: Audio-visual space in an era of technological convergence
Annette Davison: Title Sequences for contemporary television serials
Carter Burwell: No country for old music
Janet K. Halfyard: Cue the big theme? the sound of the superhero
Michael Chanan: Video speech in Latin America
Animated sounds. Daniel Goldmark: Pixar and the animated soundtrack
Randy Thom: Notes on sound design in contemporary animated films
Lisa Perrott: Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music
Musical moments and transformations. Caryl Flinn: The mutating musical
Ying Xiao: Chinese rock 'n ' roll film and Cui Jian on screen
John Richardson: The neosurrealist metamusical: Tsai's The wayward cloud
Philip Brophy: Parties in your head: from the acoustic to the psycho-acoustic
Emerging audiovisual forms: music video and beyond. Carol Vernallis: Music video's second aesthetic
Stan Hawkins: Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella"
Paula Hearsum & Ian Inglis: The emancipation of music video: YouTube and the cultural politics of supply and demand
Mathias Bonde Korsgaard: Music video transformed
Video Art. Holly Rogers: "Betwixt and between" worlds: spatial and temporal liminality in video
Art-music. Maureen Turim and Michael Walsh: Sound events: innovation in projection and installation
Gaming. Rob Bridgett: Contextualizing game audio aesthetics
Karen Collins: Implications of interactivity: What does it mean for sound to be "Interactive"?
Mark Kerins: Multi-channel gaming aesthetics of interactive surround
Expanded soundtracks. Michel Chion: Sensory aspects of contemporary cinema
Jeff Smith: The sound of intensified continuity
K.J. Donnelly: Paratexts of the audio-visual: paratexts of the audio-visual soundtrack
Extensions beyond the film. Susanna Välimäki: The audiovisual construction of transgender identity in Transamerica
Meri Kytö: Soundscapes of Istanbul in Turkish film soundtracks
Charles Kronengold: Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films
Audiovisuality in daily life. Philip Auslander: sound and vision: the audio/visual economy of musical performance
Joseph Lanza: foreground flatland
Michael Bull: Remaking the urban: the audio-visual aesthetics of ipod use
Helmi Järviluoma and Noora Vikman: On soundscape methods and audiovisual sensibility
Mariko Hara and Tia Denora: Leaving something to the imagination: "seeing" new places through a musical lens.
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The Oxford handbook of new audiovisual aesthetics. ISBN 9780199733866. Published by Oxford University Press in 2013. Publication and catalogue information, links to buy online and reader comments.
